Piotr Uklański

Piotr Uklański was born in Warsaw in 1968. Lives and works in New York and Warsaw.
2017
''Piotr Uklański'', Artforum, May 2017.
2015
Smith, Roberta. ''Review: In ‘Fatal Attraction,’ Piotr Uklanski’s Unblinking Gaze'', The New York Times, March 19th 2015.
2011
Bonazzoli, Francesca. ''Uklanski, nostalgia degli anni 70'', Corriere della Sera Milano, February 15 2011, p.21.
Bordignon, Elena. ''Piotr Uklanski - Massimo De Carlo Milano'', Flash Art, n. 292, April 2011, p. 86.
2010
Giorgio Verzotti (curated by). Languages and Experimentations - Giovani artisti in una collezione contemporanea, exhibition catalogue, Mart - Museo di Arte Moderna e Contemporanea di Trento e Rovereto. Cinisello Balsamo, Silvana Editoriale, 2010.
Giacinto Di Pietrantonio, Francesco Garutti (curated by). Ibrido - Genetica delle forme d’arte, exhibition catalogue, PAC, Milano, 2010.
Giacinto Di Pietrantonio e Maria Cristina Rodeschini (curated by). Il Museo Privato - La passione per l'arte contemporanea nelle collezioni bergamasche, exhibition catalogue, GaMeC, Bergamo, 2010.
Schjeldahl, Peter. ''No Offence'', The New Yorker, March 2010.
2009
Bankowsky, Jack, Alison M. Gingeras e Catherine Wood. Pop Life: Art in a Material World, exhibition catalogue, Tate Modern, London. London, Tate Publishing, 2009.
Bonami, Francesco e Alison Gingeras. ''Mapping the Studio, Palazzo Grassi and Punta della Dogana'', L’Uomo Vogue, n. 401, 2009.
Rich, Sarah K. ''Port Authority'', Artforum, September 2009.
Steinkamp, Jennifer. ''The artists’ artists'', Artforum, n. 4, December 2009, p. 90.
2008
Contemporanea, Arte dal 1950 a oggi. Milano, Mondadori Electa, 2008 Texts by Francesco Poli, Martina Corgnati, Giorgina Bertolino, Elena del Drago, Francesco Bernardelli, Francesco Bonami.
Francesco Bonami, Sarah Cosulich Canarutto (curated by). God & Goods - Spiritualità e Confusione di Massa, exhibition catalogue, Villa Manin Centro d’Arte Contemporanea, Passariano-Udine, 2008.
Art Now 3. Colonia, Taschen, 2008.
Andre Wekua - Sunset - I Love the Horizon, exhibition catalogue, MAGASIN, Grenoble. Grenoble, MAGASIN - Centre National d’Art Contemporain, 2008.
When things cast no shadow - 5th Berlin Biennial for Contemporary Art, exhibition catalogue, luoghi vari, Berlino. Berlino, Jrp Ringier, 2008.
Excerpt. Selections from Jeanne Greenberg Rohatyn Collection, exhibition catalogue, The Frances Lehman Loeb Art Center, Vassar College, New York, 2008, pp.70-71.
Romeo, Filippo. ''Reviews - “The Yan Pei-Ming Show”'', Artforum International, n. 6, 2008, pp. 304-305.
Noè, Paola. ''Recensioni - Milano -Piotr Uklański - Massimo De Carlo'', Flash Art Italia, n. 268, 2008, pp. 131-132.
Clark, E.K.. ''Bialo-Czerwona (white-red)'', NYARTS, n. 13, 2008, pp. 82-83.
Kunitz, Daniel. ''Retrospective: Been there, Sold That'', The New York Sun, 2008.
Uklański, Piotr. Daddy Uklański, n. 8, 2008 (with cover).
Esplund, Lance. ''The Met's Memorable Year'', The New York Sun, January 3 2008.
Hall, Stan. ''Beyond the Multiplex, Summer Love'', The Oregonian, March 7 2008.
2007
Stocchi, Francesco. ''Piotr Uklański - Summer Love'', Spike, n. 11, 2007, pp. 50-57.
Espacio, n. 4, 2007.
''Schnabel and Uklański Shortlisted for Film Award'', Artforum online, 2007.
Davis, Ben. ''Western Promises'', Artnet Magazine, 2007.
Rich, Nathaniel. ''Kielbasa Cowboy'', Vogue USA, 2007, pp. 156-159.
''Tue Greenfort e Piotr Uklański alla Secession'', Flash Art, n. 266, 2007, p. 69.
''News - Tue Greenfort e Piotr Uklański alla Secession'', Flash Art, n. 266, 2007, p. 69.
Rizzitelli, Marilisa. ''Invasioni artistiche tra cielo e verde'', Inside, n. 36, 2007, pp. 54-55.
Smith, Roberta. ''Space Exploration, Conducted on a Spiral'', The New York Times, July 20 2007.
Dargis, Manohla. ''Tumbleweeds, Sagebrush and Kielbasa on the Range'', The New York Times, October 17 2007.
Esplund, Lance. ''Lopsided Shapes'', The New York Sun, July 26 2007.
2006
Anselmi, Michele . ''Val Kilmer unica star nel primo western con bandiera polacca'', Il Giornale, n. 210, 2006, p. 32.
''Summer Love'', Ciak in Mostra, n. 7, 2006, p. 4.
Vettese, Angela. ''West & Vodka'', Vernissage - Il fotogiornale dell’arte, n. 75, 2006, p. 14.
Manin, Giuseppina. ''Scheriffi e canaglie, il western diventa polacco'', Corriere della Sera, n. 210, 2006, p. 45.
Bonami, Francesco . ''Dopo gli spaghetti, i pierogi western. L’ironia è bandita e Val Kilmer è il morto'', Riformista, 2006.
''Spaghetti western alla polacca'', Il Mattino, n. 243, 2006, p. 19.
''E a Roma spunta la diva Lupa'', Il Messaggero, n. 243, 2006, p. 25.
''L’arte toglie banalità al cinema'', La Stampa, n. 244, 2006, p. 30.
Leonardi, Enzo. ''Il western alla polacca? Una provocazione'', Il Mattino di Padova, 2006.
Leonardi, Enzo. ''Il western alla polacca? Una provocazione'', La Tribuna di Treviso, 2006, p. 44.
Pancera, Enzo. ''Spaghetti western “made in Polonia”'', L’Arena, 2006, p. 43.
Leonardi, Enzo. ''Il western alla polacca? Una provocazione'', La Nuova Venezia, 2006, p. 44.
Pancera, Enzo. ''Spaghetti western “made in Polonia”'', Il Giornale di Vicenza, 2006, p. 43.
Micheli Giotti, Lorenzo. ''Summer Love - L’arte nel fare cinema'', Nero, n. 11, 2006.
Webster Toby e Susanne Titz (curated by). Strange I’ve seen That Face Before, exhibition catalogue, Städtisches Museum Abteiberg, Mönchengladbach, Museum Abteiberg, 2006.
Fossa Margutti, Flavia. ''Monitor. Giro girotondo quanto è bello il mondo!'', Glamour, n. 169, 2006, pp. 265-270.
Lazzaroni, Elena. ''Cosa succede in città'', Intown, 2006, pp. 62-65.
Where Are We Going?, exhibition catalogue, Palazzo Grassi, Venezia. Ginevra-Milano, Skira, 2006.
Noè, Paola. ''Spaghetti-western e mulini a vento'', Flash Art, n. 260, 2006, p. 76.
Bonami, Francesco. ''Best of 2006 - Piotr Uklański, Summer Love'', Artforum International, n. 04, 2006, pp. 286-287 (with cover).
Sharp, Chris. ''Summer Love'', Piktogram, n. 4, 2006, pp. 79-103.
Bonami, Francesco. ''Best of 2006'', Artforum, December 2006, pp.286-287.
Adams, Brooks. ''Report from Lyon: Time After Time'', Art in America, February 2006, pp.56-63.
''News and Around: Biennale de Lyon'', Tema Celeste, July-August 2006, p.96.
2005
Bonami, Francesco, J. Rodrigues Widholm e Tricia Van Eck (curated by). Universal Experience: Art, Life and the Tourist’s Eye, exhibition catalogue, MCA Museum of Contemporary Art, Chicago, 2005.
Burnelli, Stefania. ''War is Over 1945-2005'', TerzoOccchio, n. 117, 2005, pp. 2-4.
''Universal Experience: Art, Life and Tourist’s Eye'', Tema Celeste, n. 107, 2005, p. 99.
Baumann, Daniel. ''Piotr Uklański'', Camera Austria, n. 89, 2005, p. 43.
2004
''A conversation Uklański/ Cattelan'', Flash Art International, n. 236, May - June 2004, pp. 92-94.
''Piotr Uklański'', Tema Celeste, n. 103, May - June 2004, p. 122.
''Una conversazione Uklański/ Cattelan. Terra, vento e fuoco'', Flash Art, n. 246, 2004, pp. 96-99.
Diez, Renato. ''A Basilea é stagione di fiera'', Arte, n. 370, 2004, pp. 76-84.
Earth Wind and Fire - Piotr Uklański, exhibition catalogue,. Ostfildern-Ruit, Hatje Cantz Verlag und Autoren, 2004.
Frieze, 2004.
Tremblay, Nicolas. ''Aux Arts, Citoyens! Piotr Uklański'', Numéro, n. 51, 2004, pp. 80-81.
''Durchbrüche und strahlende Gesichter am Steinenberg'', Basler Zeitung, 2004.
Szymczyc, Adam. ''Kunstszene Polen: Die Lichter strahlen so hell'', Basler Zeitung, 2004, p. 55.
Wilson, Michael. ''Preview: Piotr Uklański'', Artforum International, 2004, p. 110.
Dailey, Meghan. ''Interview with Piotr Uklański '', Metropolis M, 2004.
Barilli, Roberto. ''Come sono “antichi” questi Moderni'', L’Unità, 2004.
Friese, Peter. Art After Image, exhibition catalogue,. Brema, Neues Museum Weserburg, 2004.
Casadio, Mariuccia. ''Collectors'', Vogue Italia, n. 650, 2004, p. 496.
Lunn, Felicity. ''Piotr Uklański'', Artforum International, n. 4, 2004, p. 206.
Rossi, Mariella . ''Piotr Uklański'', Lapiz, n. 207, 2004, p. 84.
Heiser, Jorg. ''Don't Ask'', Frieze, n. 85, September 2004, p.65.
Szymczyk, Adam. ''Piotr Uklanki in der Kunsthalle Basel'' in Kunsthalle Basel Brochure, exhibition catalogue,Basel, 2004.
2003
Christov-Bakargiev, Carolyn (curated by). I Moderni The Moderns, exhibition catalogue, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino. Milano, Skira, 2003.
Rimanelli, David. ''Best of 2003 - Alison Gingeras’s Ass'', Artforum International, n. 4, 2003, p. 116.
Griffin, Tim. ''Left Wanting'', Artforum International, n. 1, 2003, p. 180.
Gingeras, Alison M. ''Totally my ass'', Artforum International, n. 1, 2003, p. 102.
Conti, Tiziana. ''I Moderni - Rivoli (To)'', Tema Celeste, n. 98, 2003.
Griffin, Tim. ''I Moderni / The Moderns'', Artforum International, n. 5, 2003, p. 68.
''I Moderni / The Moderns'', Tema Celeste, 2003.
Fanelli, Franco. ''Moderni sì, modaioli no: chi sono gli artisti della generazione post Twin Towers'', Il Giornale dell’Arte, n. 220, 2003, p. 12.
Brackman, Harold. ''The postmodern Hitler Revival'', Midstream, 2003.
Piccoli, Cloe. ''Contemporanei? No, Moderni'', D La Repubblica delle Donne, n. 345, 2003.
Pratesi, Ludovico. ''Non ci crederete: Questi quadri suonano'', Il Venerdi, 2003.
Curto, Guido. ''I Moderni al Castello'', Torinosette, 2003.
''Più che moderni, educati'', Il Sole 24 Ore, 2003.
''Dal post-moderno, ai neo-moderni'', Vernissage. Il fotogiornale dell’arte, n. 38, 2003.
Morgan, Robert C.. ''Piotr Uklański: New Paintings'', Art Press, 2003, pp. 70-71.
''The Moderns'', World of Art, n. 7, 2003, pp. 79-81.
Malkowska, Monika. ''Wszystko jest gra'', Rzeczpospolita, 2003, p. 17.
Jarecka, Dorota. ''Na drzewie rozpial namiot'', Gazeta Wyborcza, 2003, p. 17.
Niemojewski, Rafal B.. ''Rzucili Kosci Rozniésli Pyl'', Przekròj, 2003, pp. 80-81.
''Concorde i F16 ukryte w sloncu'', Fluid, 2003, p. 10.
''Un prix vidéo à la Fiac'', Libération, 2003, p. 32.
Kempkes, Anke. ''Hidden in Daylight'', Frieze, n. 78, 2003, p. 130.
Martins, Holly. ''Butt Ugly'', Theanticmuse.com, 2003.
Saltz, Jerry. ''Ass Backwards'', The Village Voice, 2003, p. 98.
Duponchelle, Valerie e Beatrice de Rochebouet. ''Le jeune loup Uklański'', Le Figaro, 2003.
Piotrowski, Piotr. ''Prowokuje, wiec jestem'', Wprost, 2003, pp. 98-100.
Griffin, Tim. ''Left Wanting: 2003 Venice Biennale'', Artforum International, n. 1, 2003, pp. 180-181; 246.
Gingeras, Alison M. ''Totally my Ass'', Artforum International, 2003, p. 104.
Wolinski, Michal. ''Ukryte w sloncu czyli bujanie w oblokach'', Fluid, 2003, p. 66.
Velez, Marcel Andino. ''Tasmy z falszywym obrazem'', Przekròj, 2003, p. 28.
Wolinski, Michal. ''Tyle sztuki w calym miescie'', Fluid, 2003, p. 66.
Szablowski, Stach. ''Czysciec dyktatorow Biennale w Wenecji'', Fluid, 2003, pp. 60-65.
Bonami, Francesco. Dreams and Conflicts,The Dictatorship of the Viewer,50th International Art Exhibition, exhibition catalogue,. Venezia, La Biennale di Venezia, 2003.
2002
Nicholin, Linda. ''Mirroring Evil: Nazi Imagery/Recent Art - Jewish Museum, New York'', Flash Art International, n. 10, 2002, p. 167.
Diez, Renato. ''Uklański. Da comprare ora'', Arte, 2002.
Goldkorn, Wlodek. ''Scandalosa Auschwitz'', L’Espresso, 2002.
Andrew Hunt, Comer, Stuart (curated by). Fair, exhibition catalogue. Londra, Royal College of Art, 2002.
Leoni, Chiara. ''Piotr Uklański'', Flash Art, 2002, p. 111.
Wlodek, Goldkorn. ''Scandalosa Auschwitz'', L’Espresso, 2002.
Bradley, Will e Toby Webster. My Head is on Fire but My Heart is Full of Love, exhibition catalogue,. Copenhagen, Charlottenborg Exhibition Hall, 2002.
Esche, Charles. Baltic Babel, exhibition catalogue,. Malmo, Rooseum, 2002.
Bush, Kate. ''Once Upon a Time in the East'', Artforum, November 2002, pp.172-175.
2001
Simpson, Bennett. ''Piotr Uklański'', Frieze, 2001.
Hackworth, Nick. Evening Standard, 2001.
Blue Print, 2001, p. 50.
Sharp, Amanda. ''The Americans'', Arena + Homme, 2001, pp. 330-335.
Chen, Aric. ''State of the Arts'', Jalouse USA, 2001, p. 154.
Jungfleisch, Martina. ''Monters and Hollywood Stars'', KW Magazine, 2001, pp. 62-64.
2001
Blumenstein, Ellen. ''Piotr Uklański'', KW Magazine, 2001, pp. 65-67.
Szymczyk, Adam. Fluid, 2001, pp. 18-29.
Simpson, Bennett. ''Review'', Frieze, 2001, pp. 93-94.
''Review'', The New Yorker, 2001.
Bisenbach, Klaus. Mediarealities, exhibition catalogue,. Berlin, Kunst-Werke, 2001.
Szymczyk, Adam. Zawody Malarskie, exhibition catalogue,. 2001, Galeria Bielska-Biala, 2001.
Politi, Giancarlo. Tirana Biennale 1, exhibition catalogue,. Milano, Giancarlo Politi Editore, 2001.
Greenberg Rohatyn, Jeanne. Casino 2001, exhibition catalogue,. Ghent, Stedelijk Museum voor Actuele Kunst, 2001.
Demeester, Ann. ''Piotr Uklański'' in A Sense of Wellbeing: Loss, History and Desires, exhibition catalogue,. Karlovy Vary, Repubblica Ceca, Palace of the Imperial Thermal Bath, 2001, p. 78.
2000
''Leaflet no. 72'' in Projects: John Armleder, Pjotr Uklański, exhibition catalogue,. New York, MoMA, 2000.
Rauhe, Walter. ''Tante facce, nessuna verità'', Il Sole-24 Ore, n. 70, 2000, p. 39.
''Something I prepared earlier'', Dazed, n. 68, 2000, p. 70.
Brockington, Horace. ''Let’s Entertain: Life’s Guilty Pleasures'', NY Arts, 2000, p. 75.
Szymczyk, Adam. ''A Flaming Star'', Nu: The Nordic Art Review, n. 2, Vol. II, 2000, pp. 60-65.
Heller, Steven. ''Snazi Nazis - Book review'', New York Times, 2000.
Leinemann, Susanne. ''Der filmische Albtraum vom Nazi'', Die Welt, 2000.
Schröder, Christian. ''Das Böse hat viele Gesichter'', Der Tagesspiegel, 2000.
''Schlechte Kerle'', Süddeutsche Zeitung, 2000.
''Jeder auf eigene Faust'', Berlin Zeitung, 2000, p. 63.
Becker, Claudia. ''Stahlblaue Augen'', Berliner Morgenpost, 2000.
Schönfeld, Gerda-Marie. ''Morbide Vampir-Fantasien'', Stern, n. 11, 2000.
Neumann, Hans-Joachim. ''Die Schrillen, die Bizarren, die Abseitigen'', Zitty, 2000.
Gingeras, Alison M. e Bernard Blistène. Au-Delà du Spectacle, exhibition catalogue,. Paris, Centre Pompidou, 2000.
Verne, Philippe. Let’s Entertain, exhibition catalogue,. Minneapolis, Walker Arts Center, 2000.
Tone, Liliane e Anne Umland. Projects 72: Piotr Uklański, exhibition catalogue,. New York, Museum of Modern Art, 2000.
Heiss, Alana. Greater New York, exhibition catalogue,. New York, PS 1 Contemporary Art Center , 2000.
''Piotr Uklański'', Machina, n. 1, 2000, p. 1.
''The Nazis by Piotr Uklański'', New York Arts Magazine, 2000, p. 70.
Kurbjuweit, Dirk. ''Wie sexy duerfen Nazis sein?'', Spiegel Reporter, n. 2, 2000, pp. 119-125.
''Ausstellung zeigt Filmstars in Nazi Uniformen'', Die Welt, 2000.
Fuentes Feo, Javier. ''Hollywood y el nazismo:una vision crìtica de Piotr Uklański'', arts-zin.com, 2000.
''Ikonogragrapie des Bössen'', Flyer, 2000.
''Eine Wand voller Film-Nazis'', Berliner Zeitung, 2000.
Kuhn, Nicola. ''Montags Rosen'', Potsdamer Neueste Nachrichten , 2000.
Majewski, Jerzy J.. ''Smyk-gips'', Gazeta Wyborcza, 2000.
Saltz, Jerry. ''Greater Expectations'', The Village Voice, 2000.
Neumann, Hans-Joachim. ''Die Schrillen, die Bizarren, die Abseitigen'', Zitty, 2000.
''Film Nazis'', Neues Deutschland, 2000.
''Heute in Berlin: Die Nazis'', Süddeutsche Zeitung, 2000.
''Schlechte kerle'', Süddeutsche Zeitung, 2000.
Ingeborg, Ruthe. ''Jeder auf eigene Faust '', Berliner Zeitung, 2000.
''Die Nazis'', Tagesspiegel, 2000.
''The Nazis'', Tageszeitung, 2000.
''Die nazis’ in the margarine Factory'', net.com, 2000.
Luzina, Sandra. ''Geröllheimer'', Der Tagesspiegel, 2000.
''Let’s entertain: Life’s Guilty Pleasures'', New York arts magazine, 2000, p. 75.
''Summer Love: The First Polish Western by Piotr Uklański'', Material, n. 3, 2000, p. 123.
Stange, Raimar . ''Auch Sissi würde weinen'', Kunst-Bulletin, 2000, pp. 5-6.
''Fame and Disdain on Far West 15th street '', The New York Times, 2000, p. 2 .
1999
Bang Larsen, Lars. ''Ondskabens glamour'', Politiken, Lørdag 11, 1999.
''If you lived there...'', Interior Design, The Art Issue, 1999, pp. 176-177.
''Gavin Brown's enterprise'', Elle Japan, 1999, p. 39.
Sanchez, Antonio. ''Minimal Maximal'', Arte Y Parte, n. 20, 1999, p. 96.
Pjede, Manuela. ''Mode, Kuenstler, Visionen'', Max, n. 3, 1999, pp. 136-143.
Stange, Raimar. ''Eine Frage der Lust'', Kunst-Bulletin, n. 1/2, 1999, pp. 8-14.
Jocks, Heinz-Norbert. ''Rauschmittel fuer den Geist'', Kunstforum, n. 143, 1999, pp. 348-349.
Januszczak, Waldemar. ''Dress to Kill'', The Sunday Times, Culture, n. 11, 1999, pp. 10-11.
Rypson, Piotr. ''Disco Nazisci – I Szklanka Herbaty'', Machina,Circa, n. 88, 1999.
Wolfs, Rein, Rosa Martinez e Rainer Wilkens. Peace. Zürich: Migros Museum für Gegenwartskunst, exhibition catalogue,, 1999.
1998
Kleeblatt, Norman L.. ''The Nazist'', , 1998, p. 108.
Berg, Stephan. ''Belegetage im Hochsauerland'', Neue Bildende Kunst, April-May 1998, p. 89.
Die Zeit, 1998, p. 12.
Higgie, Jennifer. ''Piotr Uklański'', Frieze, n. 43, 1998, pp. 83-84.
''Minimal Maximal'', Artist: Kunstmagazine, n. 37, 1998.
Gross, Ulrike e Markus Mueller. ''Make It Funky'', Oktagon Verlag, 1998, pp. 118-119.
Ebert, Antje. ''Der Herr Direktor liebt NY'', Prinz Koeln, 1998, 100.
Stange, Raimar. I Love New York, exhibition catalogue,DuMont Buchverlag, 1998, pp. 200-205.
Stange, Raimar. ''Piotr Uklański'' in Minimal Maximal, exhibition catalogue,. Brema, Neues Museum Bremen, 1998, pp. 236-241.
Plath, Carina. ''Der Slogan Von Der Einkaufstuete'', Stadt Revue, 1998, pp. 11-14.
Schaffhaeuser, Mathias. ''Krrrrch! Party des Monats'', Koelner Illustrierte, n. 11, 1998, p. 5.
''The Fantasy'', Visionaire, n. 26, 1998.
Frieze, Peter. ''Minimal Maximal'', Punkt, n. 3, 1998, pp. 7-9.
''Expedition in der New York Kunstszene'', Der Weltkunst, 1998, pp. 42-45.
''On view'', New York, n. 35 Vol. 30, 1998, p. 194.
Gordon-Nesbitt, Rebecca. ''The Truth Is Out Where?'', Make, n. 81, 1998.
Kent, Sarah. ''Piotr Uklański'', Time Out London, 1998, p. 54.
Wittneven, Katrin. ''Eurovisionen, Die Manifesta 2 in Luxemburg'', Neue Bildende Kunst, 1998.
Orlinski, Wojciech. ''Ci Przystojni Nazisci'', Gazeta Wyborcza, 1998, p. 2.
Taylor, John Russel. ''Around The Galleries'', The Times, 1998.
''Nazi Movie Shots Are Defended As Art'', Amateur Photographer, 1998.
Blom, Phillip. ''Ikonen des Boesen'', Berliner Zeitung, 1998, p. 9.
''Good Eye, Steady Nerve, Generous Heart'', The Independent on Sunday, 1998.
''Spiel mit dem Nazi-Chic'', Der Spiegel, n. 32, 1998, p. 87.
Ascherson, Neal. ''It's only David Niven dressed up. Why do we feel a chill?'', The Observer, 1998, p. 9.
Sturges, Fiona. ''The Exhibition, Piotr Uklański'', The Independent, 1998, p. 14.
Jones, Jonathan. ''Faces of Evil'', The Guardian, 1998.
''O Nazismo Chicque Da Embalagem Hollywoodiana'', O Globo, 1998, p. 14.
Imogen, Edwards-Jones. ''Arty Animal'', The Times, 1998, p. 3.
Buzinska, Irena. ''Izsuvumi Manifestas Lenta'', Mare Articum, 1998.
''Piotr Uklański: Nazis'', The Guide, 1998, p. 9.
Corner, Lena. ''Sinatra. Eastwood. Fiennes. Why do we love a man in uniform?'', The big Issue, 1998.
Stringer, Robin. ''Outrage as London Gallery Highlights 'glamour of Nazism' '', The Evening Standard, 1998.
Shave, Stuart. ''Nice Nazi Nasty Nazi'', I-D Magazine, 1998.
Epstein, Rob. ''Janner's fears of Nazis exhibition'', London Jewish News, 1998.
Kuhn, Nicola. ''Augen Auf und Durch'', Tagesspiegel, 1998.
Higgs, Matthew. ''Piotr Uklański'', Cream, Phaidon Press, 1998, pp. 408-410.
Rollin, Pierre-Olivier. ''Realisme Identitare'', Le Matin, 1998.
Lunghi, Enrico. ''Encore Une Occasion Pour Approcher l'Art d'Aujourd'hui'', Kulturissimo, 1998.
Pirovalli, F.. ''Hou La La ... Manifesta est La'', Le Republican Lorrain, 1998.
Lyle, Peter. ''The Reich Stuff'', The Face, 1998.
Stoeber, Michael. ''Minimal-Maximal'', Artist Kunstmagazin, n. 37, 1998.
Schmerler, Sarah. ''Super Freaks'', Time Out, n. 129, 1998.
Johnson, Ken. ''"Super Freaks ", review'', The New York Times, 1998.
Taylor, John Russell. ''Around the Galleries'', The Times, 1998.
''"Super Freaks", review'', NY Arts Magazine, n. 19, 1998.
Burrows, David. ''Waves In Particles Out'', Art Monthly, n. 123, 1998, p. 25.
Fleck, Robert e Maria Lind. Manifesta 2, exhibition catalogue,. Lussemburgo, Casino Luxembourg: Forum d’art contemporaine, 1998.
Poetter, Jochen (curated by). I Love New York: Crossover of Contemporary Art, exhibition catalogue, Museum Ludwig, Köln. Köln, Museum Ludwig, 1998.
1997
''Happening Hop'', The Scotsman, 1997.
Pesch, Martin. ''"Romantischer Profi", review'', Frankfurter Rundschau, 1997.
Mahoney, Elizabeth. ''Waves In Particles Out'', The Scotsman, 1997.
Bradley, Will. ''Waves in, Particles out'', Siksi, n. 4, 1997, p. 85.
Stange, Raimar. ''Piotr Uklański bei Voges & Deisen'', Kunst Bulletin, 1997, p. 35.
''On Fire'', Fat Magazine, n. 3, 1997, p. 18.
Gib, Eddie. ''Exploring the Art of Hedonism'', The Guardian, 1997.
Dibdin, Thom. ''Jive Talkin' ... Sound Art'', The Scotsman, 1997.
Slyce, John. ''ICA Review'', Art, 1997, 17.
''The Light Fantastic Floor-Courtesy of Tate'', Contract Flooring Journal, 1997.
''Blurred and Distorted'', Creative Review, 1997.
Musgrave, David. ''Assuming Positions-Review'', Art Monthly, 1997, p. 40.
Dorment, Richard. ''It's Clever but is it Art?'' in The Daily Telegraph, exhibition catalogue,, 1997.
Madden, Jenny. ''Yes, But Is It Art?'', I-D Magazine, 1997.
''Floor Forever'', Blue Print, 1997.
Walker, Nick. ''Wall Paper'', The Agenda, 1997, 30.
Feaver, William. ''Frankly, This Place Is Going Down The Pan'', The Observer, 1997.
Kent, Sarah. ''Assuming Positions'', Time Out London, 1997.
Ogundehin, Michelle. ''Right Now'', Elle Decoration, 1997, p. 30.
Morris, Mark. ''Hype'', The Face, 1997.
Decter, Joshua. ''review'', Art Forum, 1997, p. 95.
Bush, Kate e Gregor Muir. Assuming Positions, exhibition catalogue,. Londra, Institute of Contemporary Art, 1997.
Webster, Toby. Waves In/Particles Out, exhibition catalogue,. Glasgow, Centre for Contemporary Art, 1997.
1996
Mir, Aleksandra e Piotr Uklański. ''Piotr Uklański'', Flash Art, n. 107, 1996.
Stange, Raimar. ''Am Oberung, oder: Corporate Fun for everyone'', Neue Bildende Kunst, 1996.
Mir, Aleksandra . ''Ouverture: Piotr Uklański'', Flash Art, 1996, 107.
Decter, Joshua. ''Worlds Traversed'', Siksi, The Nordic Art Review, n. 4, 1996, 20-21.
From, Lena. ''Bekanta bilder hindrar tanken'', Goteborgs-Posten, 1996, p. 39.
1995
Coomer, Martin. ''Just Do It'', Time Out, 1995.
Peters, Christine. ''Mehr oder weniger listige Stoerungen des Alltags'', Frankfurter Rundschau, 1995.
Starger, Steve. ''Striking Assemblages'', Journal Inquirer , 1995.
War is over, exhibition catalogue, GAMeC, Bergamo, 2005-2006.