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Jim Hodges

Dates
02.05.2023 | 13.05.2023
Gallery
Pièce Unique
File
PRESS RELEASE

MASSIMODECARLO Pièce Unique is very pleased to present the work of Jim Hodges.

Walking past the gallery window during the first week of his presentation, one might mistake the space as hauntingly empty. Yet upon closer inspection, Jim Hodges’ and, 2022 reveals its graceful, ghostly presence in the far-left corner of the room. A gold-plated brass chain spiderweb, this sublimely discreet-as-it-is-elegant artwork embodies some of the paradoxes that have long animated Jim Hodges’ practice.

Embracing the contradictory poetry of spiderwebs, which have the power to appear overnight, unwanted and unexpected in between corners or objects, Hodges reveals, even celebrates the grace and complexity of nature, which operates in codes wonderfully alien to the human mind, connecting things and spaces splendidly senselessly between them.

The extreme fragility of the spiderweb - which in fact functions as a deadly trap to its preys, is reproduced and amplified in precious metals, creating an illusion of weightlessness whilst amplifying the web’s very intrusion in the space. By adorning an otherwise disregarded part of the room, Hodges not only makes context an integral element of the work itself, he also invites to rediscover the otherwise overlooked elements of our daily lives.

Similarly, yet with a completely different outcome, the artwork presented at Pièce Unique during the second week (May 9 – 13), A possible flower, 2023 is thoroughly concerned with its interaction with space. Flowers have often been the subject of Jim Hodges work. Born from his desire to paint a bouquet, A possible flower reduces the flower to its very essence, ending up in the form of 27 brightly colored pure color planes in variously sized, thin linen canvases painted on their surface and all four sides. Reminiscent of the artist’s late friend and artist Felix Gonzalez-Torres, who’s works were often entitled “possibles”, Hodges displays his panels in a spontaneous, intuitive interplay of color and proportions – creating both opposition and complementarity among their sizes, color, and color reflected on the wall. Like a flower bouquet arranged loosely, casually, separated, divided, Hodges explains that he originally made these to place them in his own home, for him to live among.

“I imagined installing them throughout my house, locating them along the pathways that I meander during my days. Thinking they might offer instances, a pause, a relationship of color and associations while acting like stations along a progression with no destination.”

MASSIMODECARLO Pièce Unique presents two works by Jim Hodges: and, a work from 2022, followed by A possible flower, 2023.

The Artist

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2018 Jim in Ireland by Tim Hailand highres
Jim Hodges

Jim Hodges was born in 1957 in Spokane Washington; lives and works between Milan and New York.


Known for his profound ability to infuse emotions and narratives into everyday objects, Hodges crafts poignant and delicate artworks centred around temporality, life, and love. Drawing inspiration from nature and its lexicon, his artistic practice spans from the initial delicate wall sculptures to expansive depictions of flourishing trees, as well as the incorporation of golden leaves and mirrored mosaics in the 2000s. Hodges transforms humble and simple materials through his artistic touch, uniting drawing and sculpture in the process. These acts of delicate transformation serve as evocative memories of desire and loss, contributing to the construction of a new identity.


Hodges’s work is in the permanent collections of the Whitney Museum of New York; Guggenheim Museum, New York; Museum of Modern Art, New York; Art Institute of Chicago; San Francisco Museum of Modern Art; Dallas Museum of Art; Miami Art Museum; Hirshhorn Museum and Sculpture Garden, Washington D.C; Walker Art Centre, Minnesota and the Centre Pompidou, Paris.